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Jessica Kubzansky 


Jessica Kubzansky's directorial work at the Colony includes The Thousandth Night, The Glass Menagerie, Heartbreak House, and the multi-Ovation-winning Toys in the Attic. 

Jessica is the Co-Artistic Director of The Theatre @ Boston Court, and an award-winning director working around the country in venues as diverse as The Geffen Playhouse, South Coast Rep, Portland Center Stage, the Mark Taper Forum New Works, LA's Disney Hall, the American Stage Co., The Boston Publick, London's Old Red Lion, to name a few.

At The Theatre @ Boston Court: the world premieres of Mickey Birnbaum's Bleed Rail, Carlos Murillo's Unfinished American Highwayscape #9 & 32, Jean-Claude van Itallie's Light, Cody Henderson's Cold/Tender, as well as shared Gilgamesh with Stephen Sachs, and directed the inimitable Camille Saviola in Hare/Brecht's Mother Courage. Elsewhere, Tory Stewart's Leitmotif (SCR/PPF), Tom Jacobson's The Orange Grove (Playwrights' Arena), Bryan Davidson's Wing on Wing for the LA Philharmonic/Disney Hall, Julia Cho's BFE (Portland Center Stage JAW/WEST), The Two Gentlemen of Verona (Illinois Shakespeare Festival), Bryan Davidson's award-winning War Music, both at The Geffen and its prior world premiere at LATC (PA/Echo), Sheila Callaghan's Kate Crackernuts (24th Street Theatre), the Salamone/McIntyre musical Moscow (Chekhov Now Festival, NYC) Measure for Measure (A Noise Within) and many, many others. 

Kubzansky received the 2004 Los Angeles' Drama Critics' Circle's Margaret Harford Award for Sustained Excellence in Theatre.

June, 2007
Learn more about the 2007-2008 Season with descriptions of each play, dates and links (when available) to the play's program itself!
 
The Season kicks off with the tour-de-force one man show The Thousandth Night, joining Scheherazade with a concentration camp in a 1943 battle to live. Next, Trying a hopeful and humorous autobiographical tale of friendship amidst life's most inevitable adventure -- growing old. Then "Master Harold" ... and the boys the stunning masterpiece and one of the most powerful coming-of-age plays ever written. Next, the delightful romantic comedy, Almost Maine. The Season is capped-off by a humourous new American musical that will touch your heart, The Immigrant.
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