Director
Producer
Choreographers
Musical Director
Scenic Designer
Lighting Designer
Property Master
Costume Designer
Assistant Director
Stage Manager
Technical Director
|
Bob Ari
Barbara
Beckley
Bob Ari
Todd
Nielsen
Marjory Poe
Jim Yarmer
Jamie
McAllister
Robert
Canning
Karen
Weller
Julie Abdala
Joyce Killingswroth
Robert
Budaska |
| The
Company
Scott Stevensen, Eileen T’Kaye,
Todd Nielsen, Stephanie Truitt, Sandra Kinder |
|
First Pianist
Second Pianist
Understudies |
Marjorie Poe
Jan Powell
Vince Acosta and Katherine
Lench |
|
Musical Numbers
ACT I
|
|
Comedy
Tonight
Love is in the Air
Comedy Tonight
Getting Married Today
The Little Things
I Remember
You Must Meet My Wife
Can That Boy Foxtrot
Company
Another Hundred People
Barcelona
Marry Me a Little
Too Many Mornings
I Never Do Anything Twice
Beautiful Girls
Ah Paree!
Buddy’s Blues
Broadway Baby
You’re Gonna Love Tomorrow
|
The
Company
The Company
The Company
Stephanie
Scott
Eileen
The Company
Todd
Scott
Eileen
Eileen
Stephanie
The Company
Eileen
Todd
Eileen
Stephanie
Scott
Stephanie
Sandra
Scott
The Company
Eileen
Todd
Stephanie
The Company |
ACT II
|
|
Everybody
Says Don’t
Anyone Can Whistle
Send in the Clowns
We’re Gonna Be All Right
You Could Drive a Person
Crazy
A Boy Like That
I Have a Love
The Boy From
Pretty Lady
You Gotta Get a Gimmick
Being Alive
Losing My Mind
Now
Could I Leave You
I’m Still Here
Conversation Piece
Side By Side By Side
|
The
Company
Scott
Eileen
Scott
Eileen
Todd
Eileen
Stephanie
Eileen
Stephanie
Eileen
Scott
Todd
Stephanie
Eileen
Stephanie
Scott
Todd
Stephanie
Now
Eileen
Sandra
The Company
The Company |
Stephan Sondheim
is, indisputably, the reigning composer-lyricist of the contemporary American
musical theatre. No event is more anticipated in any Broadway season than
the opening of a new Sondheim show.
He was born in New York City,
and attended Williams College where he majored in music. As an undergraduate
he gained a certain celebrity on campus by writing the book, music, and
lyrics for two college shows. His first professional job after graduation
was writing scripts for the Topper television series. He made his Broadway
debut in 1956 with the incidental music for Girls of Summer, but it was
in the following year that he first commanded major attention with the
lyrics for West Side Story and, after that, Gypsy.
In 1962, Sondheim emerged
as a composer as well as a lyricist, with the score for A Funny Thing Happened
on the Way to the Forum. Subsequently, he created the music and lyrics
for Anyone Can Whistle, Company, Follies, A Little Night Music, Pacific
Overatures, Sweeney Todd, Merrily We Roll Along, Sunday in the Park with
George, and Into the Woods, as well as the lyrics for Do I Hear a Waltz?,
and additional lyrics for Candide. These works have received an astounding
11 Tony nominations for Best Musical, as well as four New York Drama Critics’
Circle awards and a Pulitzer Prize for Drama. His music and lyrics have
been honored with five Tony awards.
In addition to his work in
the theatre, he composed the film scores for Stavisky and Reds, songs for
the television production Evening Primrose, co-authored (with Anthony Perkins)
the film The Last of Sheila, and, for a time, created crossword puzzles
for the New York Times Magazine.
He is a council member of
the Dramatists Guild and served as its president from 1973 to 1981. In
1983 he was elected to the American Academy and Institute of Arts and Letters.
People ask me why I continue
writing for the stage. The answer is simple: the theatre is the only dramatic
medium that acknowledges the presence of an audience. Movies do not. If
you boo at a movie screen, they go right on acting. If you laugh, they
won’t stop for you. You have no effect on them and you know it from the
minute you sit down. In the theatre you’re aware that the community experience
exists between the stage and you. And that’s what’s unique about it.
— Stephen Sondheim
Read the LA
Weekly Review