Mountains
Review
by Daryl H. Miller, LA Weekly, July 4-10, 1997 |
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Rick
Garman’s new play is, quite literally, a matter of life and death — a compelling
inquiry into an ill person’s quality of life and the point at which death
becomes the preferable alternative. Compassionate and surprisingly good
humored, this story is especially timely in the aftermath of the Supreme
Court’s ruling on assisted suicide. The action unfolds in snippets of a
court trial and flashbacks to events as they occurred. It’s love at first
sight for Alan (Chris Thomas) and Corey (Jack Armstrong), yet the relationship
is never easy. Corey, for instance, must leave a wife (Susan Savage) and
young daughter to begin a new life with Alan. When AIDS further complicates
their lives, love, respect and duty are all put to the test. Garman, who
also wrote the AIDS drama 17 Days, juggles a staggering number of issues
with ease. Still, he missteps by hinging one of the major plot points on
improbability. Scott Segall directs the constant fluidity, and the performances
are mostly outstanding. Armstrong is a charmer, while Ursula Martin is
a tangle of emotions as Alan’s friend. Leslie Bartlett plays a dynamo defense
lawyer, and Tim O’Hare makes for a thundering presence as an opportunistic
prosecuting attorney.
Copyright 1997, LA Weekly
Reprinted by permission
Mountains
at the Colony Theatre
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