Dandelion Wine
by Ray
Bradbury
Based on his Novel
Music and Lyrics by Jeffrey
Rockwell
The Colony's year 2000 revival
Matt Raftery,
Barbara
Passolt
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Director
Producer
Musical Director
Orchestrations
Choreography
Scenic Design
Lighting Design
Costume Design
Sound Design
Properties
Additional Sound
Associate Producer
Production Manager
Photography
Graphic Art
Technical Director
Charge Carpenter
Carpenters |
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Terrence
Shank
Barbara
Beckley
Richard
Berent
James
Vukovich
Brian
Frette
John
Patrick
D.
Silvio Volonte
A.
Jeffrey Schoenberg
Michael
Fracassi
Ryan
Marquart
Michael Hooker
Michael
David Wadler
Jaclin
Ostoforoff
Bob Lapin
James Terry Welden
Francis Mondana
Mark Svastics
Tonny Berardinneli, Steve
Ensor, M. Garrett Hohimer, Gabriel Holguin, Henry Koch, Earl Skinner, Martin
Weeks, William Zell, Robert T. Zylowski |
Charge
Scenic
Scenic Artists
Grip/Transport
Drops
Assistant Lighting Designer
Master Electrician
Light Rigging
Seamstress
Stage Manager
Assistant Stage Manager
Light Operator
Sound Operator
Spotlight Operators
House Manager |
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Craig
Shepard
Shirley Lerche
Patti Mondana
Abe Sahagun
Sharon Damerell
Denny Kinglsey Symes
Bonnie Vigil
Michael Thayer
Frederick Alan, Gabriel
Holguin, Kevin Spinks
Kathy Arellano
Kurt
Boesen
Amy
Morrell
Susana
Jarvis
Amy
Morrell
Dina Franklyn, Becky Johnson,
Donna Simoneau
Randi Weidman |
CHARACTERS (in order of appearance)
MUSICIANS
Conductor/Piano
Keyboard
Bass
Reeds
Percussion |
Richard
Berent
Rusty Morrison
Leslie Baker
Berg Larsen
John Haimowitz |
SCENES & MUSICAL NUMBERS
ACT I
Greentown, Illinois, Summer,
1928
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Scene 1: The Spaulding House
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Junk
Wake Up World
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Junkman
Douglas & Company |
Scene 2: The Woods
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A
Crazy Friend
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John Huff, Douglas |
Scene 3: The Spaulding House
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The
Lonely One
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Fern & Roberta |
Scene 4: The Ravine and Graveyard
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Walking
Through the World
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Ann & Douglas |
Scene 5: Town Square, Sanderson’s
Shoe Store
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Paralitefoot
Tennis Shoes |
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Douglas, Mr. Sanderson,
John, Tom, Jody, Townboys, Forrester
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Scene 6: The Spaulding House
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Dandelion
Wine |
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Grandpa,
Grandma, Father, Douglas, Tom |
Scene 7: Town Square, Ice Cream
Parlor
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Love
Songs
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Forrester
& Ann |
Scene 8: Auffman's Penny Arcade
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Hey
Nonny
A Happiness Machine
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Tarot
Witch
Leo, Douglas, Tom, John,
Jody, Townboys |
Scene 9: The Spaulding House
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Fireflies
Trio (Statistics, Revelations,
Memories)
Air
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Tom
Tom, Douglas, Forrester
Junkman |
Act II
Scene 1: The Spaulding House
and aboard Tridden's Trolley
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Movin'
Along |
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Forrester, Grandpa, Tridden,
Father, Townspeople, Douglas, John, Grandma, Lena, Sanderson, Junkman
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Scene 2: Colonel Freeleigh's
House
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Drum
to Glory |
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Colonel
Freeleigh, Douglas, Tom, John, Jody, Townboys, Forrester, Ensemble
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Scene 3: The Library
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A
Simple Word
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Douglas,
Ann |
Scene 4: The Spaulding House
and various Greetown locales
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Lena's Song
Redlight
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Lena,
Leo, Ensemble
Douglas, Forrester |
Scene 5: The Ravine and the
Spaulding House
Scene 6: Douglas's Bedroom
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Fever
Dream
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Douglas
& Company |
Scene 7: The Spaulding House
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A
Special Word
Time |
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Forrester, Douglas
Junkman |
PROGRAM NOTES
The Colony’s version of Dandelion
Wine was first presented in 1981. The following essay by Ray Bradbury
appeared in the original playbill:
WHY DANDELION WINE?
Other people have
taught me about myself. Starting some 20 years ago, pieces of music on
sheets of score paper or some on records or tape began to arrive in my
mail. These were songs, 17 in number, titled Dandelion Wine. Some were
sweet, some melancholy, some nondescript, some fine. All were a compliment
to my book, published some 24 years ago.
Other folks showed up on
my doorstep or in my mailbox with reader’s theatre versions of my novel,
to be spoken in high schools, colleges, or drama competitions.
I learned from both groups.
What? That I was an unintentional dramatist, and that my dramas leaned
and fell gently over into musical forms.
I finally decided that everyone
was in step with me. I followed my songwriters, and the readers’ theatre
people onto the stage.
Guided by Burgess Meredith.
He was there somewhere in
the parade, introducing me to people, telling me that I should finally
go all out and try to make a musical WINE in my literary cellar. Burgess
put me in touch with the correct people at Lincoln Center, New York, and
Dandelion Wine started its evolution toward what you will see and hear
in the next two hours.
Behind Burgess was Charles
Laughton who, 25 years back, got me to experiment with dramatic and musical
forms.
Dandelion Wine, as it is
performed this afternoon and evening, belongs, in part, to them.
— Ray Bradbury
This production is dedicated
to
the memory of
Albert Lord
A Good Friend,
a Great Actor, and a Dear Man
"You mustn’t be serious
dear, it’s just what they want."
-- Elyot from Private Lives
by Noel Coward
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Read
a note from our producing Director on the occasion of this first Burbank
presentation
Read the Back
Stage West Review

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