
Bea[u]tiful
in the Extreme
A World Premiere
By
Leon
Martell
(Left to Rright) Kenneth
Martines, Patrick Huey, Jonathan Palmer,
Tony Maggio, Andrew David
James, Tom Dugan, Kevin Symons, Blaise Messinger
Director
Producing Director
Choreographer
Scenic Design
Lighting Design
Sound Design
Costume Design
Properties Design
Marketing/Public Relations
Production Stage Manager
Assistent to the Director/Production
Assistent
House Manager
Lighting Operator
Sound Operator
Running Crew
Set Construction
Specialty Rigging
Apprentice Rigger
Master Electrician
Light Rigging
Wardrobe Maintenance
Photography
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David
Rose
Barbara
Beckley
Ameenah
Kaplan
Stephanie
Kerley Schwartz
David
Flad
Michael
Hooker
A.
Jeffrey Schoenberg
Richard
A. Hardin
David
Elzer/Demand PR
Dale
Cooke
Anjali
Bal
Richard Ford
Donald Hofstee
Brian Cordoba
Wendy Becker
Kendel Mineo
Sets To Go
Mark Fenlason
Joseph Wolf
Michael A. Thayer
Jeremy S. Bryden, Naiche
Chavira,
Donald Hofstee, Timothy
A. Himmelreich,
Olu Kiana, David Perez,
Kevin Spinks
Kendal Mineo
David Elzer, Michael LaMont |
CAST
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General
George Rogers Clark,
Sergeant Glass, Lewis Senior
York, Big Horse, Mrs. Grinder,
Voice of the Bear, Twisted
Hair, Blackfoot
Boat Boy, Soldier, Shannon,
Boat Worker, Postmaster
Nowaykesugga, Mandan,
Ruben, Peg
Meriwether Lewis
William Clark
Thomas Jefferson, Shields,
Black Buffalo, Cameahwait
Boatman, Dr. Rush, Colter,
Charbonneau, John Adams,
Old Toby
Boat Builder, Droullard
Hunter
Sacagawea, Mary, Julian
Hancock
Mrs. Lewis, Cruzatte,
Partisan, Frederick Bates |
Tom
Dugan
Patrick
Huey
Andrew
David James
Donald
Sage Mackay
Tony
Maggio
Kenneth
Martines
Blaise
Messinger
Jonathan
Palmer
DeLanna
Studi
Kevin
Symons |
The role of Sacagawea
is now being played by Liza Del Mundo
The roles of Mr. Lewis,
Sergeant Gass and others are now being played by Robert
Pescovitz
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TIME & PLACE
The play takes place primarily
in the mind of Meriwether Lewis.
ACT I - A flatboat
on the Mississippi River, 1809.
ACT II - A cabin
at Grinder's Mill on the Natchez Trace, a few days later.
 Bea[u]tiful
in the Extreme was originally commissioned and developed
by
A.S.K. Theatre Projects.
The Title is
From Meriwether Lewis's descriptions of the Great Plains. There were no
standerdized spellings at the time. The editor of his journals added the
"u" to beautiful.
HISTORICAL NOTES
Of Courage undaunted, possessing
a firmness and perseverance of purpose which nothing but impossibilities
could divert from it's direction, careful as a father of those committed
to his charge, yet steady in the maintenance of order and discipline, intimate
with the Indian character, customs and principles, habituated to the hunting
life, guarded by exact observation of the vegetables and animals of his
own country, honest, disinterested, liberal, of sound understanding and
a fidelity to truth so scrupulous that whatever he should report would
be as certain as if seen by ourselves, with all these qualifications as
if selected and implanted by nature in one body, for this express purpose,
I could have no hesitation in confiding the enterprise to him.
-- Thomas Jefferson
AUTHOR'S THANKS
This play was commissioned
by A.S.K. Theater Projects, for which the playwright is very grateful.
He is also grateful to the staff of A.S. K. Theater Projects for their
continual support of the work. He also wishes to thank the many theater
groups who organized readings while the play was in process including Plymouth,
where members gave voice to the play in it's earliest stages; The Road
Theater; Echo Theater; Theater of NOTE; Circle X; and The Oasis Theater
Company, who produced the workshop of Act One in the A.S.K. Common Ground
Festival, dircted by Allison Narver. Megan Monaghan, director Wendy Knox,
dramaturge Gavin Witt, and everyone at the Minneapolis Playwrights Center
summer of 2001. My wife, Elizabeth Ruscio, who has put up with even more
than the usual playwright's partner - driving the route from Fort Clatsop
to Fort Mandan and back. Kathy and Mike Wilson who have been patrons of
my work. David Rose and Barbara Beckley for considerable dramatugical help,
and Wayne Liebman for championing this play. It's been an epic process
with an army of talented actors, directors, and crew people lending their
energy, and I am grateful to them all. |

This production
was made possible by the kindness and generosity of:
Frans Klinkenberg, Angstrom
Stage Lighting, Bardwell's on the Boulevard, Center Trust, Doug Haverty,
Art + Soul, Designs, Dave Peace, Litewerks, Jan McElwee, The McElwee Group,
Salvador Palacios, California Lighting & Power, Mi Piace, Melinda Scott,
Wadler Data Systems, and special thanks to SEARS, Media City Center
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